Peter Turnley, a renowned international photojournalist and teacher of street photography is offering two photography workshops in one of the world’s most visually exciting cities. There are daily lectures and presentations by Peter Turnley as well as distinguished members of the New York photographic community. During the workshop, students will also visit some of the city’s unique photography museums and exhibitions. The workshop meets daily for approx. 3-4 hours each day at Peter’s apartment in New York's Upper West Side. Students are encouraged to spend the rest of each day over the 7-day workshop, which starts on a Sunday afternoon and finishes at noon the following Saturday, exploring and photographing life in the streets of what is possibly the world’s most exciting city. There are daily edit sessions of students’ work. The workshop ends with a final show with each student producing a 15-photograph picture story/essay that will be edited together with Peter Turnley on the day before the final day of the workshop. This workshop focuses on helping students overcome any anxiety or timidity in photographing people. Peter Turnley introduces a camera technique that is a time tested, proven approach for making spontaneous and authentic photographs in the Cartier-Bresson spirit of capturing the “decisive moments” in daily life. Turnley helps students find a sense of purpose in their photography-and pushes students to plug into their personal interests and passions to help them better share a visual response to their feelings and perceptions of the world around them. The workshop also pushes students to think in terms of creating a narrative with a set of photographs, and helps students find their own personal vision and photographic language.

Students will be pushed to spend one half of each day photographing the life of one of the world's most exciting cities. Peter will provide a wide list of photographic themes and and an extensive list of destinations to photograph.

Peter spends 30 minutes daily with each student reviewing and editing the previous day’s work. Students will work towards establishing a 15-image picture story or photo essay to be shown at the final class on Saturday morning. Students are guests for a group dinner on Monday night and a final dinner on Friday evening. Peter’s apartment is at a very convenient, exciting, and safe location in New York's Upper West Side two blocks from the #1 and B,C Natural History Museum subway stops. From Peter’s apartment, students can be in Times Square in 15 minutes and downtown NY in 20 minutes by subway.

Students find their own lodging during the week, but the possibilities are plentiful--including many locations in NY that are a convenient commute to and from Peter’s apartment in New York's Upper West Side.

Students will have an opportunity to use a Leica camera during the week of this course. This is an amazing opportunity to get to know these wonderful cameras, and to grow as a street photographer while using a camera that is high performing, elegant, discreet, and effective for making photographs in the spirit of the "Decisive Moment"--photographs that represent spontaneity, authenticity, and reveal the magic and poetry in the streets of daily life.

Companions

This is an ideal workshop to bring along a spouse, son or daughter or partner. Non-photographic companions may join the group sessions and meals but are not involved in the critique or review sessions. Companion supplement is $250.

Location

Daily class sessions are held at Peter Turnley’s apartment in New York's Upper West Side. Getting to class and then exploring the city is easy since Peter’s apartment is conveniently located two blocks from the #1 and B,C Natural History Museum subway stops, within easy commuting distance from all parts of Manhattan.

Arrival

Try to arrive on Saturday. The first workshop session will begin at 2pm on Sunday, but arriving Saturday morning will give you an evening to get acclimated before the workshop begins on Sunday.

Departures

The workshop ends at noon, Saturday, with a show of the students’ final 15-image photo stories made during the week. Students are free to leave on Saturday afternoon, which would enable those needing to get back to work on Monday the time to do so. Those wishing to stay in the region longer are free to continue their trip Saturday afternoon.

Camera Gear and Technology

Participants will need to bring a digital SLR or rangefinder camera, a laptop computer, and a thumb drive. Two camera bodies are recommended, with a minimum of at least one wide-angle lens such as a 17-35mm zoom, 24mm, 28mm, 35mm, or 50mm. Students may bring longer lenses as well, but Peter will strongly encourage participants to use a wide angle lens in order to get close to the subject, which allows a sense of context, environment, and intimacy. A wide-angle lens that is relatively fast and has a wide aperture (1.4, 1.8, 2, or 2.8) is encouraged in order to photograph in low light situations. It is recommended that participants bring extra memory cards, extra camera batteries, and all necessary battery chargers for their equipment.

Students will need to know how to transfer the photographs they make each day onto their laptop computer. Each day, participants will bring a selection of their favorite photographs, or those they’d like to discuss, in a folder on a thumb drive, to the daily photo review and critique sessions. Students are encouraged to use image management software for this selection process. Peter recommends PhotoMechanic, however other programs such as Apple’s Aperture, or Adobe Lightroom may be used. PhotoMechanic can be downloaded for a free trial basis from camerabits.com.

Students will be encouraged to choose from the outset if they want to show their work in color or in black and white, and they will be encouraged to stick to their choice of one of the other throughout the workshop.

Final Group Show and Portfolios of Past Work

At each photo critique and review session, Peter will work with each photographer to make a a “selects” folder of their most successful images. At the end of the week, Peter will select with each photographer from this overall “selects” folder, a final individual photo story of 15 images, which will be seen as part of a group final show during the last workshop session.

Each participant should also bring a portfolio of a selection of their past work. Approximately 30 photographs are recommended, and they may be brought in a folder on a thumb drive, or as a selection of prints. Students’ portfolios of past work will also be shared during the final session of the workshop.

Meals

The first and last meals are included in the cost of the workshop. You will be a guest of the workshop for a group opening dinner on Sunday night and at the final dinner Friday night. Aside from the two group meals, breakfasts, lunches and dinners are independent although students are encouraged to join each other in local restaurants and cafes.

Registration

The tuition for this workshop is $1,550. If you'd like to register for this workshop, please email Peter Turnley to receive instructions for making a $250 deposit to hold a spot in the workshop. The balance of $1,300 will be due within 30 days of the workshop.